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Details about 11.5\
Tiffany Studios
Loetz Art Glass
Heart decor
Jack in the Pulpit vase by Johann Loetz
A wonderful iridescent green glass vase with a dimpled body and an upturned rim heightened with an Art Nouveau silvered design exhibiting excellent colour and detail Sorry, this item has been sold. If you would like information about similar items please contact us on 07971850405 or make an enquiry via email here. ADDITIONAL INFORMATION Height: 18 cm Condition: Excellent Condition Circa: 1900 Materials: Silvered Iridescent Glass SKU: 5960 ABOUT Loetz glass was the premier Bohemian art glass manufacturer during the Art Nouveau period from roughly 1890 to 1920. Founded in 1840 by Johann Loetz in what is now the Czech Republic. The company became known for its innovative techniques, organic forms, and bold use of colour. By 1889, Loetz was one of the region’s leading glassmakers. That year, the company took first prize at the Paris Exhibition for its classic vase forms, some of which were hand-worked and deformed into swirling, organic-looking shapes like seashells, flowers, and tree trunks. Decorative vases, cups, and pitchers were other popular forms in the Loetz lexicon, and many of the pieces practically glowed thanks to their iridescent sheen from the firing and reduction techniques that were popular at the time. For its contributions to the field, Loetz was awarded the grand prize at the Paris World Exhibition in 1900. One of the most beautiful and collectible Loetz series from this period is called Phänomen, whose chief characteristic is the rippled or feather like designs on the object’s surface. Loetz glass artisans achieved this unique effect by wrapping hot glass threads around an equally hot molten base. The threads were then pulled on the object’s surface to make waves and other designs while the materials were still malleable. The company patented the Phänomen technique in 1898 and used it in combination with techniques pioneered by L.C. Tiffany in the United States—in particular, Tiffany’s iridescent Favrile work. Combined, the two techniques provided plenty of inspiration for Loetz designers and artisans, including E. Prochaska, Franz Hofstötter, and Koloman Moser. The us
e of patterns is also a hallmark of antique Loetz art glass. Then after 1905, when interest in the florals waned, Loetz pushed its surface treatments further than ever while relying on shapes that had been with the company for decades. For example, the roiling surfaces of the Titania pieces pre-date Abstract Expressionism by three decades, at least. At the other end of the aesthetic spectrum, the Perlglas pieces were translucent, giving more weight to the forms as sculpture rather than distracting the viewer with dazzling surfaces. The last significant period for Loetz glass occurred between the wars. In the first part of the 1920s, Loetz participated in the popular revival of late 19th-century cameo glass, which had been pioneered by Émile Gallé and others. To view a selection of our Loetz vases please click here. For more informaiton on Loetz click here
Art Glass
Crystal & Glass
19th Century Blue Jack in the Pulpit Vase c1890 – Home Accessories
Date & Origin <\/strong><\/p>
Possibly Richardson of Stourbridge, England, c1890. Period of Victoria.<\/p>
Condition<\/strong><\/p>
Excellent, age-related wear as shown. <\/p>
Dimensions <\/strong><\/p>
Height: 22.4cm Diameter: 13cm.<\/p>
Weight<\/strong><\/p>
300 grams <\/p>
Technical Description <\/strong><\/p>
A moulded blue glass jack in the pulpit vase. The rim is pulled in the form of a jack-in-the-pulpit flower with a crimped blue rim. A diamond moulded body with a rough pontil supports the piece.<\/p>
Historical Relevance<\/strong><\/p>
Hand-blown around the time Study in Scarlet, the first US edition of Sherlock Holmes was published in 1890.<\/p>
